Ease and comfort Tiffany developed for the Globe Columbian Exposition in 1893 opened to the community at The Charles Hosmer Morse Museum of American Art in April of 1999. To encompass the addition of the chapel, tiffany and co outlet the museum underwent an growth that added extra galleries and a larger museum store. The Morse Museum now consists of the most complete collection of the works of Louis Ease and comfort Tiffany anywhere. It was at the World's Columbian Exposition (also known as The Chicago World's Fair) that Louis Ease and comfort Tiffany with his glass inlaid tiffany outlet chapel, acquired a reputation as a premiere glassmaker. While on display at the Exposition, it was been mentioned that the radience of the chapel created reverential awe amongst those who viewed tiffany jewelry outlet it. The chapel gained numerous medals at the Exposition, such as one for imaginative adaptation of the electrification of its imposing chandelier. Following the Exposition, the chapel remained dismantled in New York till 1898, when a wealthy lady, Mrs. Celia Whipple Wallace bought the chapel for The Episcopal Cathedral Church of St. John the Divine which was below building in New York Metropolis. The chapel remained at St. John the Divine for about 10 many years. In 1916, the church was abandoned and in need of repair, at which stage, Tiffany eliminated the chapel from St. John, restored it and installed it in a separate developing on his estate. In 1957, a tragic hearth wrecked a lot of Tiffany's estate. The chapel which was contained in a seperate developing was not burned, but did drop into disrepair and was threatened with oblivion for a 2nd time.http://www.pinterest.com/suspectpfkuu/tiffany-outlet/ In 1957, Hugh and Jeannette McKean, director and founder of the Morse, visited the hearth ravaged Tiffany estate, Laurelton Hall on Lengthy Island and obtained architectural elements and leaded glass windows for the Morse Museum. Two years later on they acquired the remains of the Chapel interior and in the many years that followed obtained all of its furnishings to keep the chapel in a solitary collection. The McKeans had been devoted to the chapel preservation throughout a time period when there was a absence of interest in Tiffany and understood its historic importance as a work of artwork that experienced enjoyed worldwide acclaim and then suffered neglect and abandonment. Until 1997, many of the chapel elements had remained in packing crates. That year